| 000 -LEADER |
|---|
| fixed length control field |
02262cam a2200433 i 4500 |
| CONTROL NUMBER |
|---|
| control field |
1143646885 |
| CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20201120013403.0 |
| FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
200311t20202020nyu e 000 0deng c |
| INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781982157289 |
| INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1982157283 |
| SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1143646885 |
| Canceled/invalid control number |
(OCoLC)1198612181 |
| CATALOGING SOURCE |
|---|
| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
BDX |
| -- |
OCLCQ |
| -- |
MJ8 |
| -- |
IEP |
| -- |
OCLCO |
| -- |
GL4 |
| -- |
OCO |
| -- |
FNN |
| -- |
ZGF |
| -- |
TCH |
| -- |
ILC |
| -- |
UAP |
| -- |
JTH |
| -- |
VP@ |
| -- |
OCLCF |
| -- |
IUK |
| -- |
EAU |
| -- |
GZD |
| AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
GZDA |
| Local processing data |
jl* |
| DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
782.421642092 |
| Edition number |
23 |
| DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
782.42164092 |
| Edition number |
23 |
| AUTHOR NAME |
|---|
| AUTHOR NAME |
Smarsh, Sarah, |
| TITLE STATEMENT |
|---|
| Title |
She come by it natural : |
| Remainder of title |
Dolly Parton and the women who lived her songs / |
| Statement of responsibility, etc |
Sarah Smarsh. |
| EDITION STATEMENT |
|---|
| Edition statement |
First Scribner hardcover edition. |
| PHYSICAL DESCRIPTION |
|---|
| Extent |
xvi, 187 pages ; |
| Dimensions |
19 cm |
| FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part one. Dolly Parton embodies the working woman's fight -- Part two. Dolly Parton masters the art of leaving -- Part three. Dolly Parton becomes the boss -- Part four. Dolly Parton cements her icon status. |
| SUMMARY, ETC. |
|---|
| Summary, etc |
Growing up amid Kansas wheat fields and airplane factories, Smarsh witnessed firsthand the vulnerabilities and strengths of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. Country music was a language among women-- and no one provided that language better than Dolly Parton. Here Smarsh explores the overlooked contributions to social progress by such women as exemplified by Dolly Parton's life and art. She shows how Parton's song offer a springboard to examining the intersections of gender, class, and culture. -- adapted from jacket |
| SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Country music |
| SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Women in music. |
| ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
12. Miscellaneous |
| LOCAL PROCESSING INFORMATION (OCLC) |
|---|
| d |
782.421 PAR |
| c |
410 |
